Raga-based Telugu Film Songs - Raga Khamas

Raga-based Telugu Film Songs - Raga Khamas

Maharishi Gandharva Veda music - introduction - YouTube

Maharishi Gandharva Veda music - introduction - YouTube

rajani takes me to ”mudra”

 rajanikanth takes me to a new field, ”mudra” [click]with his sudden/unanticipated​​ movements/jerks and ‘gestures’, 

as if he diving deep and bringing out new gems and displaying, 

every opportunity of acting, he utilizing to the maximum extent, 

never a routine, not a dull, 

he satisfies some deepest unknown desires of the viewers , 

they not knowing what is happening inside them and inside him, 

some mystery revealed, some knots loosened. 

i doubt if he himself knows the happening phenomenon, unusual in any other actor

Mudra (music) - Wikipedia, the free encyclopedia

Mudra (music) - Wikipedia, the free encyclopedia

Mudra (music)

From Wikipedia, the free encyclopedia

[hide] v t e Indian music Main Indian classical music Hindustani classical music Semi Classical music/Light classical music Carnatic music Indian folk music Concepts Shruti Swara Alankara Rāga Tāla Prahar Hindustani classical music Types of compositions Dhrupad Dhamar Khyal Tarana Thumri Dadra Qawwali Ghazal Thaats Bilaval Khamaj Kafi Asavari Bhairav Bhairavi Todi Purvi Marwa Kalyan Principles of Hindustani music Alap Bandish Gat Types of Bandish Sthaayi Antara Sanchaari Aabhog Variations of Bandish Vilambit Madhyalaya Drut Semi-classical music Natya Sangeet Baithak Gana Indian folk music Rabindra Sangeet Bihu of Assam Dandiya Ganasangeet Uttarakhandi Music Lavani Indian film music Music of Bollywood Indian play music Natya Sangeet Light songs in the play Sugama Sangeetha Region wise Indian Music Bhojpuri Rajasthani Music Karnataka Sugam sangeet Goa trance music Odissi music Andaman and Nicobar Islands Andhra Pradesh Arunachal Pradesh Assam Bihar Chhattisgarh Goa Gujarat Haryana Himachal Pradesh Kashmir, Jammu and Ladakh Jharkhand Karnataka Kerala Madhya Pradesh Maharashtra Manipur Meghalaya Mizoram Nagaland Odisha Punjab Rajasthan Sikkim Tamil Nadu Tripura Uttar Pradesh Uttarakhand West Bengal Language wise Music Marathi Music Hindi music Kannada music Telagu music Tamil music Aasami music Maharashtra music Powada Gan Gavlan Lavani Kirtan

Mudra is the unique signature of a Carnatic music composer, which is woven into some or all of their respective compositions.^[1] Not all composers have mudras, and they do not necessarily relate to the composer's name.^[1]

• Tallapaka Annamayya - Venkata
• Purandara Dasa - Purandara Vitthala
• Kanaka Dasa - Kaginele Adi Keshava
• Tyagaraja - Tyagaraja
• Syama Shastri - Syama Krishna
• Muthuswami Dikshitar - Guruguha
• Swati Tirunal - Padmanabha/Pankajanabha
• Bhadrachala Ramadas - Ramadasu
• Papanasam Sivan - Ramadasan
• Gopalakrishna Bharathi - Gopalakrishnan
• Harikesanallur Muthiah Bhagavatar - Harikesha
• Narayana Teertha - Narayana Teertha
• Patnam Subramania Iyer - Venkateshwara
• Mysore Vasudevacharya - VasudevA
• Mysore V Ramarathnam - rAma
• M. D. Ramanathan - Varada dasa
• M. Balamuralikrishna - Hari and Murali
• Maharajapuram Santhanam - Maharajan
• Koteeswara Iyer - Kavi Kunjara dasa
• Kshetrayya - Muvva Gopala
• Sadashiva Brahmendra swami - Paramahamsa

Indian Heritage - Dance - Dhananjayans - Natya The Essence of Hyndhava - Dharma

Indian Heritage - Dance - Dhananjayans - Natya The Essence of Hyndhava - Dharma

From "A Dancer on Dance"written by V.P. Dhananjayan, published by Bharata KalanjaliNatya The Essence of Hyndhava - Dharma We find the instinct to dance in the savages as in the cultured. When dance transcends the physical, it becomes art giving pleasure to all. Dance is a sacred art cherished and preserved in our country for more than 2000 years. Dancing in India is not merely a spontaneous emotion or idea translated into movement but a long thought out and carefully fashioned ritual that needs concentrated study and constant effort. Mythological Significance of Dance The ideals of India through ages have retained a remarkable continuity clearly recognising between the concept of activity, the relationship between the concept of God & Man. The Upanishads quote "DEVAM BHUTVA DEVAM YAJET' - 'become a God to worship God'. This signifies the basic idea, to identify oneself with truth, before offering prayers to God. Various methods of attaining this sanctity have been propounded in the Vedas and Upanishads and the most sanctified way of worship is Sangitha. Gitam Vadyam Tatha Nrityam Trayam Sangitam Uchyate Dance or Nritya is the one in which all these aspects of creation are unified, that is Geetham-the sound, Vadyam-the rhythm or time and Nrittam-the movement. Brahma says, For the welfare of the generations to come I create the fifth veda. Therefore natya is the essence of all the vedas. The knowledge of the world from Rig Veda, music from Sama Veda, expression from Yajur Veda and rasa or enjoyment from Atharvana Veda. Bharata says, There is no wisdom nor knowledge, no art, no craft, no device or action that is not to be found in Natya and in ancient India, Natyam was a synonym for dance, drama and music. The term BHA-RA-THA The name Bharata Natyam is actually a general term for all Indian dances but has become synonymous with the South Indian dance which was previously known as Sadir/ Chinnamelam or Dasiattam. There are a few attributes to the Bha-ra-tha. 1. That the sage Bharatha created it. 2. That the word is the Anagram from the first letters of Bhava, Raga and Tala. 3. That which banishes distress. BHARAM TARAYATI ITI BHARATHA. 4. The dance of India or Bharata Desa. The purpose of Dance Apart from spirituality or spiritual quality of dance there is a definite purpose in dance. The purpose is to educate the illiterates, to enlighten the literate and entertain the enlightened ones. According to gradations of the mind, Uttama (the great one ), Madhyama (ordinary) and Adhama (the lesser one), Natya generates morality and an awareness of well being. It instructs and gives motivation to achieve perfection in every action. It relaxes the mind of sick persons, distressed ones, tired souls, bereaved family members and also the Tapaswi (sages) after their meditation. Natya gives dharmopadesa (the path of righteousness) to happy ones, instructs the way to praise the worthy and also to live long. Natya sharpens the mind, increases the intellect. As such Natya gives all things needed for the well being of the people. Dance is also considered to be a Yagna (sacrifice). The effect of conducting a dance performance is shared by the audience, the sponsor and the dancer. It is said, any auspicious occasion like child birth, marriage, rituals, festivals and celebrations must either begin with a dance performance or conclude with it. It has the effect of performing a hundred yagnas.